Someone actually titled this film The Leopard Man. From what I know of classic Hollywood, the decision was probably made by a cigar-chewing bigwig with no experience actually making films, and plenty of experience making money. He might have said, leaning back in his plush chair, feet up on the desk, "Hey! 'The Leopard Man.' That's a much better title than 'Black Alibi'." And he was right. How can you resist with a title like that? Furthermore, when you realize it was directed by Jacques Tourneur and produced by Val Lewton, well you're even more helpless at this point. This is a terrible film, let's be clear about that from the start. But the title sort of indicates that on its own. It's not trying to hide anything. I've read several reviews of this film, mostly by Lewton fanatics who insist on its greatness. I can't help but shake my head, try as I might to follow their pleeing logic. There's absolutely nothing to analyze or critique, or get into a heated, in depth discussion about. It's pure, silly, dated entertainment. And as long as there's someone to laugh with you, there's absolutely nothing wrong with that.
"I'm a storyteller- that's the chief function of a director. And they're moving pictures, let's make 'em move!" -Howard Hawks
"I have a gift for enraging people, but if I ever bore you it will be with a knife."
"The only person I know who is in worse shape than I am." Marilyn Monroe
"Egotism- usually just a case of mistaken nonentity."
noun\ˈī-ˌlī-nər\ a cosmetic used to define the eyes. It is applied around the contours of the eye to create a variety of aesthetic illusions. Although primarily aimed at females, it has broadened its appeal to the male market, known commonly by the portmanteau guyliner.
"Every man I knew fell in love with Gilda and woke up with me."
"Is there anything better than to be longing for something, when you know it is within reach?"
"Everyone wants to be Cary Grant. Even I want to be Cary Grant."